The second version, Mr. Dunne explains, is a transcription of the way the Irish fiddler Tommy Potts, who died in 1988, played the tune. Her Riverdance costar Colin Dunne has danced with many contemporary companies, including Fabulous Beast’s hit The Bull, and last year featured in 20 Dancers … item 5 Riverdance - Live From New York City (VHS, 1998) Jean Butler, Colin Dunne - Riverdance - Live From New York City (VHS, 1998) Jean Butler, Colin Dunne … In April 1995, video release of Riverdance went straight to No. Colin Dunne is a leading figure in the world of traditional Irish dance. 'Riverdance' Was Years Ago. Flatley had choreographed many of the numbers in the multicultural spectacle, but after the show took off, the two parties clashed over salary and royalty fees. [34] After 23 performances at Radio City between 2 October and 20 October, the Lee company moved on to Chicago, Los Angeles and Boston,[32] as well as Detroit and Minneapolis. My relationship with dance has been an ever-shifting thing. “There’s something to what people say about folk music,” says Mr. Potts in a recording. See full bio » Mr. Dunne plays excerpts from Mr. Potts’s recordings and dances to them, sometimes barefoot, sometimes in sneakers and finally in traditional Irish reinforced shoes, which produce a more distinct tapping sound. Like my grandfather used to say, ‘He has a beautiful touch.’”. [41], Riverdance continues to be performed all over the world, in a diminished format and in smaller venues. [32], After returning to Ireland and incurring successful runs in Belfast and Cork,[33] Riverdance made their way back to The Apollo in May 1996 for a three and a half month run; the show saw advance box office sales in excess of GB£5m. In his approach to Mr. Potts’s music, Mr. Dunne decided to allow himself a certain freedom — to improvise within a structure. Their connection was not always obvious to him. 11/08/2019 Tell your friends. It is perhaps ironic that Mr. Potts, who found playing for dancers distasteful, should be the subject of an evening of dance. Riverdance was first performed during the seven-minute interval of the 1994 Eurovision Song Contest at the Point Theatre in Dublin on 30 April 1994. “He needed a sense of warmth around him.” By playing alone, in the cocoon of someone’s home, Mr. Potts could follow his own musical byways without having to make compromises. Having found an affinity with Mr. Potts’s unconventional playing style, Mr. Dunne decided to make a work in which he could engage the music on his own terms, through dancing but also through a kind of conversation across time and space. There's a Riverdance animated movie on the way", "Riverdance to be made into an animated film", "Pierce Brosnan, Lilly Singh, Brendan Gleeson to Voice 'Riverdance: The Animated Adventure' Feature (Exclusive)", Grammy Award for Best Musical Theater Album, How to Succeed in Business Without Really Trying, Sweeney Todd: The Demon Barber of Fleet Street, Cats: Complete Original Broadway Cast Recording, Les Misérables: The Complete Symphonic Recording, Smokey Joe's Cafe: The Songs Of Leiber And Stoller, An Comhdháil na Múinteoirí le Rincí Gaelacha, https://en.wikipedia.org/w/index.php?title=Riverdance&oldid=1000312936, Creative Commons Attribution-ShareAlike License, Michael Flatley Flute Solo – Whispering Winds, Yolanda González Sobrado (flamenco dancer), This page was last edited on 14 January 2021, at 16:19. [21], On 8 May 1995, Riverdance performed at the Royal Gala 50th Anniversary of VE Day celebrations at the special invitation of Prince Charles. With humor and a touch of good-natured acerbity, the two converse and even argue over the finer points of their craft. [37][38] Colin Dunne briefly returned to Riverdance in July 2002 to perform his original choreographed piece "Trading Taps" at New York City's One World Jam at Radio City Music Hall. Both are extremely talented. “He was never comfortable performing in public,” the prominent Irish fiddler Paddy Glackin, who collaborated with John Cage on the score for “Roaratorio,” said in a phone call from Dublin. Then he plays a different version of the same tune: The notes slither and crash against each together as the rhythm becomes jagged, almost random. The former star of the Irish dance troupe will give a solo performance on Friday at the Riffe Center's Capitol Theatre. Colin Dunne, who succeeded Flatley, dances with the Lee company, and Breandan De Gallai dances with the Liffey company, now touring New Zealand. Riverdance. But then, he might have made an exception, just this once, for this particular dancer. [33], A number of cast departures occurred following the halcyon period of early 1996. If you’re a follower of Irish traditional dance, you may recognize him — from 1995 to 1998 he co-starred in the megashow “Riverdance.” But he left all that behind long ago and has spent the last 18 years creating intimate, exploratory evenings like this one. Sometimes he’ll be halfway through a tune before you recognize it.”. ‘Riverdance’ Was Years Ago. A professor at the University of Limerick, Mícheál Ó Súilleabháin, gave him access to a large archive of informal recordings and interviews, which Mr. Dunne and his sound designer Mel Mercier wove into a score containing not only passages of Mr. Potts’s playing but also his voice. [29], On 3 October, Riverdance opened for another six-week sell-out run at The Apollo. Flatley claimed the dispute had nothing to do with money, but rather creative control of his own choreography. About halfway through his one-man show “Concert,” the dancer Colin Dunne sits down at an upright piano and plunks out a tune. About halfway through his one-man show “Concert,” the dancer Colin Dunne sits down at an upright piano and plunks out a tune. He seems intent on moving as far as possible from the clichés of Irish dance, an art form that has come to be defined by competitions on the one hand and large-scale spectacles on the other. “To be honest, very few people from the world of traditional dance would come to see this work,” he said, “I don’t really feel like part of that community, I guess.” Like Tommy Potts, he has taken his own path, choosing the freedom to explore over playing to expectations. He read about the fiddler’s life and eccentricities: his dislike of playing with other musicians, his refusal to play for dancers. The Opening Ceremony performance also featured the longest troupe line ever seen in an Irish dance show, with over 100 dancers. Colin Dunne (born 8 May 1968) is a British-Irish leading figure in the world of traditional Irish dance, as well as a theatre actor and contemporary dancer.Best known internationally for his performances and choreography in Riverdance and Dancing on Dangerous Ground, [1] he transitioned to contemporary dance after earning an MA in that style as an artist-in-residence … He has lost none of his speed or accent, though the dancing is less hard-charging now. The performance is often considered the most well known interval act in Eurovision Song Contest history. Dunne and Winston had met through Gavin at the St. Patrick's Day celebration. [2] At the time, Bill Whelan and Dónal Lunny composed the music, augmenting the Irish folk band Planxty with a rock rhythm section of electric bass and drums and a four-piece horn section. The two men, born almost six decades apart, are in many ways kindred spirits — both working within the Irish tradition but chafing against its conventions, both happiest plying their trade on their own, outside the mainstream. he co-starred in the megashow “Riverdance, A professor at the University of Limerick, Mícheál Ó Súilleabháin, Jean Butler, his former “Riverdance” co-star. [34], On 2 October 1996, Riverdance kicked off its US tour at Radio City Music Hall, christening their new US company the Lee (after Cork's main river), while the company continuing to perform in the UK was dubbed the Liffey (after Dublin's main river). [23], On 17 July 1995, Riverdance performed at London's Royal College of Music in the presence of Queen Elizabeth The Queen Mother, Queen Elizabeth II, and Princess Margaret. “He has a beautiful way of hitting the floor with great precision, but without slamming the floor, which is very rare. 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